Leah Gordon is a former punk artist from London. She is also a photographer and this book reflects upon her experiences of Kanaval on the streets of Jacmel in Haïti between 1995 and 2010. Haïti was the first black republic in the Western hemisphere, a black slave nation that overthrew the yolk of its French European masters. A core component of the revolution’s power was the African-inspired Vodou belief system and intertwined with politics the Kanaval (Creolisation of Carnival) traces its routes to the clandestine slave gatherings in the upland forests of the island. Gordon takes powerful black and white images of the key Kanaval characters and interviews these characters, capturing a series of oral histories from the poor local inhabitants who invest their energy effortlessly, creating characters, making costumes, designing props, organising dance routines and applying makeup, to create this pre-Lentern annual orgy of street theatre and fiesta. We meet the Lanse Kòd (The Rope Throwers), Jwif Eran (Wandering Jew), Papa Sida (Father of AIDS), Oungan (Vodou Priest), St Michel and also the Satanic Zel Maturin (The Wings of Maturin). These characters act out a fight of good versus evil, they challenge the audiences to raise small amounts of money and to reflect upon the political realities of Haïtian life. There is a series of critical essays throughout the book from key researchers of Haïti, that reflect upon the essence of Leah Gordon’s work. The book is enlightening and the images, that can be very disturbing, project an exoticism and spirituality that gives the reader a true taste of the Kanaval performers’ messages and allows the reader a glimpse of the post-colonial ‘Other’ that is the Caribbean.
David Tomkins has led an interesting life, to say the least. Our swashbuckling protagonist begins his autobiography as a tough safe-cracker, self-trained in explosives. His early adventures lead him to prison life where he swaps tales and picks up skills, leading to further crimes. Moving away from his gangster life, Tomkins utilises his explosive skills to full effect by becoming a mercenary. His military adventures take him across Africa, from Angola to Togo and into Rhodesia. Constantly under suspicion at airports from Special Branch and security services, Tomkins becomes a darling of the Press, a true life mercenary who engages in politics at the highest level. Merging his mercenary work with business interests he becomes an arms dealer, strutting around the world, negotiating some stranger-than-fiction deals with some rather salubrious characters. Eventually his mercenary work comes back tot he fore when he is recruited to fight out in Colombia, first arranging an international special forces brigade to attack the FARC and then later, employed by the Calí drug cartel he is delivered a project to assassinate the head of the rival Medellín cartel, Pablo Escobar. Ultimately both the Colombian adventures do not achieve their mission goals and later end our hero up in US custody where he returns to the prison system, detailing the flaws of the US Justice system and ending the tale whiling out his time in jail before luckily being returned to his wife and family in the UK. The book is well written and is truly compelling. David Tomkins’ life is surely a worthy tale to be told and I can’t think of many more varied real life adventure stories out there.
The Cuban author offers a postmodern view of the Caribbean. It is a sociocultural study that encompasses aspects of history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and non-linear mathematics, incorporating chaos theory. The book’s aims and theories are laid out in a flowing introduction whereby Benítez-Rojo’s notion of the ‘repeating island’ is explored, through the lens of polyrhythms and meta-archipelagoes. Benítez-Rojo sees in all of the Caribbean a repetitive streaming of ideas, of resistance to slavery, of Plantation culture of postcolonialist discourse. The book focuses on a series of Caribbean authors and poets, from Gabriel García Márquez to the author’s poet of preference, the Cuban Guillén. Critical essays explore how a multitude of creative characters have interpreted their lives in the Antilles, and recurring themes of the cult of the Virgen de la Caridad del Cobre or of the sacrificed slave Mackandal, reverberate in the author’s dissections of West Indian culture. This book gives a valuable postmodernist insight into the supersyncretic culture that comprises the Caribbean.
You are Viviane Élisabeth Fauville, a 42 year old French woman in the midst of a crisis. You have a child, a young baby, who you nurture and care for, yet your husband is in the process of leaving you. to top off this crisis, yesterday you murdered your psychiatrist. This short novel (written in French) depicts the descent into madness of the lady as she faces up to the guilt of murder. She descends into paranoia and the tale gets increasingly more disjointed as the woman struggles to maintain the regularity of her Paris life while concealing her crime. It is Dostoyevsky’s ‘Crime and Punishment’ meets J.D. Sallinger’s ‘Catcher in the Rye’, just in miniaturised feminised French format. A quick, light read and a good way to test one’s foreign language skills.