This autobiographical account of Brit drug smuggler, Pieter Tritton, is a flowing, page-turning journey that documents his twelve years locked up in Ecuador’s notorious, corrupt and highly dangerous prison system. Tritton is already in trouble back in the UK where he is being sought by police for large scale international drug trafficking. He heads out to Ecuador for a fairly straightforward 2kg cocaine purchase, cleverly melted down and concealed in a tent’s groundsheet, that he aims to transport back to the lucrative European markets. He has been stitched up though and his hotel room is busted and his girlfriend and him start an arduous adventure in the justice system of this exotic Andean nation. From the outset it is clear that the prison system is quite a bit different to that Pieter has previous experienced in the UK. Here. the guards are usually in the command of the brutal gangs that run the prisons. It is a dog eat dog world and murder is rife. At first the lifestyle seems quite liberal within the prison as the cells aren’t usually locked up for much of the time and there is relative freedom of movement and lots of amenities such as shops and prisoners are allowed luxury items and to decorate their own cells. However, the underlying gangs that run the system are in total control. Drugs are very freely available and Pieter gets heavily involved in the business he knows best, dealing both inside the prison walls and also continuing international trafficking through the new contacts he picks up. He earns the respect of most inmates although he occasionally takes high risks that could result in serious calamity. There is a steady stream of high machismo violence and murder. The justice system is obviously corrupt and there are difficulties negotiating this. Later, during his stay in the notorious Guayaquil La Peni prison, he contracts TB and almost dies. The book is a heartfelt journey and the frank nature of the author as he expresses his true feelings and fears and narrates his liaisons with the depraved criminal characters often right at the top of the gang hierarchy, gives us a true life insight into a dark and oppressed system where Pieter survives probably only though his optimistic spirit and entrepreneurial attitude. I really enjoyed this book and it tells of a journey through life that must have been very difficult.
This is a study on the notorious criminal organisation the Sicilian Mafia – Cosa Nostra – Over the years, Cosa Nostra has become an alternative source of political power in Southern Italian island. The reach of this criminal organisation has spread its tentacles across the globe, becoming a feared and respected multinational criminal organisation. From more humble roots in dealing with cattle rustling, the Cosa Nostra moved into more traditional mafia activities such as protection rackets and later made very heavy profits in drug smuggling. The Cosa Nostra is a difficult theme to research due to the clandestine nature of its activities. It is a secret brotherhood and we learn of its hierarchy and organisation plus its almost religious like entry rituals. It can be bloodthirsty and strict and its internal discipline is its means of maintaining its power. It is in effect a tandem organisation to State power in Italy and its members. even on the run – are able to live clandestinely with few problems. The links between Cosa Nostra and the American Mafia was interesting – Joe Bananas a figure that bridged the gap between both worlds. The two mafia wars of the Twentieth century were bloody and Cosa Nostra resorted to terrorism in its fight amongst itself and also with the state. There has been a very damaging emergence of Pentiti who are whistleblowers who reveal to the authorities the crimes of former colleagues in exchange for immunity or freedom. The Cosa Nostra was brought to the brink of destruction by some of these treacherous characters. The Maxi-Trial led by antimafia judges such as Falcone caused much devastation and meant a change in strategy, leadership and tactics. Falcone ended up suffering a gruesome death, a fate shared by very many enemies of Cosa Nostra. It was interesting seeing some of the dirty political dealings that many leading Italian political figures have with Cosa Nostra, including well known long term President Silvio Berlusconi. The research for this book was often second hand, relying on preceding authors and also details could often be fussy due to a lot of the knowledge of structure of the organisation and its activities come from Pentiti who often are less than reliable sources due to their own bias. I felt that it was an interesting and enlightening study although towards the end of the book the author’s clear antimafia stance became a little annoying as I felt could have been more subjective and perhaps focussed too much on the Crime aspect of Cosa Nostra and lacked respect in terms of seeing it as a perhaps positive force in much of what it does.
The author is exploring the impact of local culture on the artistic output of Narcoculture in the form of literature and art in two specific par excellence Narco cities in Latin America. We are introduced to the Culichis of Culiacán in Mexicos Sinaloa and they can be contrasted with the paisas of Medellín in Colombia. There are unique linguistic characteristics to each area and each city produces distinct styles in terms of its experience of drug war and wide scale narco-trafficking. Culiacán is the capital of El Chapo’s Sinaloa Cartel territory and faced the brunt of the President Calderon Mexican Government War on Drugs. Medellín was home to Pablo Escobar’s capo rule during the 1980s when he declared war on the State and ran a brutal campaign akin to terrorism, brutalising many of the local population in the crossfire. The rough nature of macho Culichi campesinos, raised in the surrounding rural mountains is portrayed in the natural acceptance of violence and the local landscape is scarred with the memories of narco killings and warfare. Post Escobar paisas are dealing with the world where they had to face paramilitary suppression and the middle classes have been integrated with fast money immigrants from the shantytowns, the home of sicaresca (cultural works about sicario hitmen). Authors may use local dialects such as Medellin’s urban poor parlache in order to express their work. Most of the artists and authors have either suffered directly from the violence or know people killed in the wars. The underlying tone for cultural content from both areas is one of ultraviolence that is socially accepted and ingrained in the conscience and collective memory. The popularity of narconovelas is rising globally. The author of this study does some great work in exposing some perhaps lesser known creators and does a relatively in depth analysis of their works, often drawing on external cultural ideas and philosophies in order to justify her analyses. I found this text to be very enlightening and it opened many doors to this area for future critical study. The often dark subjects prove to be very adept at dealing with their work, often under extreme circumstances that fellow artists across the world do not have to endure. The culture of Medellín and Culiacán is opened to the world by Gabriela Polit Dueñas and I highly recommend her work.
Whilst planning to do a university translation dissertation on some aspect of narcoculture I was drawn to this work (in English – also simultaneously released bilingually with a Spanish version) by American author and folk musician, Elijah Wald. Having been introduced and hooked on the sounds of Los Tigres Del Norte for years, the Narcocorrido is a music form that particularly interests me. The Spanish word ‘Correr’ = to run, gives way to the Corrido form of music, a Mexican musical ballad, originally historically done as the spoken word, but more recently with Mexican folk music of accordions, guitars and harps added. It is a form of Norteño / Ranchera / Mariachi music, very spicy in rhythm, with neatly rhyming lyrics, telling a popular story. A lively, popular music artform, where masculinity and hyper-masculinity can flourish. The traditional Corrido has been superseded by the Narcocorrido, which tells the stories of Mexican and Latin American drug lords and their conquests – their crossborder trafficking, their grisly assassinations, their lovelife, their organisations. The Corrido is an alternative form of news and corridistas may cover any political event, with some controversial writers documenting political scandals and guerrilla uprisings. Elijah Wald takes us on an interesting personal journey as he hitchhikes and buses across every conceivable region in Mexico and also dips into the Corrido communities of North America. We meet the stars of the genre, the well known celebrity figures, from Los Tigres Del Norte themselves and their most famous writers such as Jefe del Jefes, Teodoro Bello. The issues of assassinated star Chalino Sánchez were particularly interesting and displayed the true dangerous nature of these musicians and their controversial cultural work. We head from the Sinaloan narcocorrido heartland, up to Texas and onto rural Michoacan. Not only do we learn more of the drug trafficking inspirations and the gruesome Mexican drug war, but also we learn of other areas of Mexican culture, history and politics. Wald is a man of the people and the rural campesinos are never far from his heart. He is equally at home listening to corridista buskers on the bus aswell as being able to snort cocaine whilst partying with the stars. For me, the translations done by the author about the often unknown corridos are a true revelation and, being an apprentice translator, I particularly found this aspect of the book exciting. The book is a real adventure and I’d encourage any travel lover to get involved in the quint narrations and journeying. I think that this book will long be regarded as the definitive text on Narcocorridos and I look forward to reading more work by Elijah Wald. It has left me a large legacy of topics and material to research and I shall be busy well into the future covering issues raised by my reading of this most excellent, well written text.
This is a narconovela, a Spanish language work of fiction set in the narco world of drug trafficking. The young Mexican author, Juan Pablo Villalobos presents ‘ Party in the Rabbit Burrow’, a short, fast-moving look at life behind the palace facade of a Mexican drug kingpin, Yolcaut, through the eyes of his young son. Tochtli is shut up in this rabbit warren, living a deluded life of extreme wealth. He only knows fifteen people through his contact with the outside world. He has private tuition at home, where he learns a few relevant facts about the real world. Tochtli is fascinated by sombreros and is proud of his worldwide hat collection. He is fond of the French people due to their penchant for the guillotine. The Liberian dwarf hippos they have obtained from Africa for the palace’s private zoo demonstrate the levels of extreme wealth that Yolcaut has. The violence of his father’s lifestyle and the Mexican drug war reflects upon Tochtli in his craving for Japanese Samurais and obsession with death. He has witnessed some killings at his home and when he guns down some exotic lovebirds it is no surprise. Tochtli exhibits his anger and loneliness through electing muteness, his way of rebelling against the system that he knows. The book is narrated by Tochtli in a childlike flow with plenty of rhythm and decent use of Spanish language meter. There is a lot of repetition of ideas and key phrases and words that enhance the literary beauty of this narconovela. Chapter 1 focuses on an introduction to Tochtli’s world. Chapter 2 is about their trip to Monrovia., the capital of Liberia, in order to hunt down some dwarf hippopotamuses. Chapter 3 returns to the palace. They are betrayed by Tochtli’s tutor, inside details of the King’s life revealed to the media, irritating the kingpin and provoking his mortal anger. There is a clever use of character’s names – the Liberian guides being former US presidents (JFK) and social heroes (Martin Luther King). The hippos are Louis XVI and Marie-Antoinette. We see the nastiness of Mexican’s über violent social conflict, in a bizarre and extreme mirror, that is never far from violence but has the safety and protection of a secluded fairytale princess life of the ‘Rey’s child. A very good start to me for authentic narconovela subgenre fiction.
Chris and Anthony Donnelly are two likely lads from Wythenshawe, Manchester. Growing up to a backdrop of crime, allegedly part of the the notorious Quality Street Gang, these entrepreneurs became leading figures in the birth of Manchester’s Acid House scene, initiating illegal raves and forging bonds and networks across music from the Hacienda to the launch of their own short-lived crime-ridden Parliament Club, at the peak of The Gunchester headlines when Guns and gangs took hold in Manchester. After heading out of music they entered the world of fashion, launching Gio-Goi. Using a mixture of guerrilla marketing, incorporating their music friends and street buddies, they became a necessity of fashionistas. The brand ultimately became corporate turning over £40 million a year at its height. This tale, interview-style, arranged by Stone Roses biographer, Simon Spence, is a true journey of life’s ups and downs, for a most colourful family. From drug busts, media headlines and jail sentences to filming videos with Pete Doherty and Deadmau5. I especially enjoyed the reminiscences of Old Skool Hacienda DJs, Mike Pickering, Jon Dasilva and Graeme Park. This book has it all. I’m sure that no party is complete without the Donnelly brothers influencing it in some way.
David Tomkins has led an interesting life, to say the least. Our swashbuckling protagonist begins his autobiography as a tough safe-cracker, self-trained in explosives. His early adventures lead him to prison life where he swaps tales and picks up skills, leading to further crimes. Moving away from his gangster life, Tomkins utilises his explosive skills to full effect by becoming a mercenary. His military adventures take him across Africa, from Angola to Togo and into Rhodesia. Constantly under suspicion at airports from Special Branch and security services, Tomkins becomes a darling of the Press, a true life mercenary who engages in politics at the highest level. Merging his mercenary work with business interests he becomes an arms dealer, strutting around the world, negotiating some stranger-than-fiction deals with some rather salubrious characters. Eventually his mercenary work comes back tot he fore when he is recruited to fight out in Colombia, first arranging an international special forces brigade to attack the FARC and then later, employed by the Calí drug cartel he is delivered a project to assassinate the head of the rival Medellín cartel, Pablo Escobar. Ultimately both the Colombian adventures do not achieve their mission goals and later end our hero up in US custody where he returns to the prison system, detailing the flaws of the US Justice system and ending the tale whiling out his time in jail before luckily being returned to his wife and family in the UK. The book is well written and is truly compelling. David Tomkins’ life is surely a worthy tale to be told and I can’t think of many more varied real life adventure stories out there.