Jason is a Welsh Musician, and in this short book, he details his most recent Camino de Santiago de Compostela pilgrimage experience. He takes the Camino Portugués from Porto, a follow up to his previous encounter with the more traditional, and more widely known and popular, Camino Frances. We find Jason alone in his hotel room in Porto in a dusky predawn, a crazed band post-gig, having departed, and left the protagonist with little money and equipment and a pipe dream to escape yet again on pilgrimage to Santiago. This book is a modern pilgrimage, a journey to self. We are not sharing the voyage of a medieval religious monk, we share our modern chav hobbit’s punk desires. He needs not mass, blood wine and body bread, but wifi, bocadillos and plastic auberge mattresses. Our modern day pilgrim needs not God’s guidance, but is savouring the beauty and tranquility of a rustic, muddy countryside, as his mind ventures into the pilgrim spirit and devours itself in questions of self-exploration. A host of characters is met and through the hero’s transcript of muttered profanities as he describes the lurid animals he meets en route we make friends with a myriad of personalities from dotted around the globe. Most notably, German astronomer-theologian Thomaas and later, Irish reveller and journeyman Eoin. Interspersed with Spanish natives and kind Portuguese innkeepers and waiters, our bubbly hero sounds off his thoughts and shares in the rich tapestry of life of his fellow men, all the time progressing his own mind’s journey and in a self-revelatory manner, touching our soul with more profound deeper and wise philosophy. Jason loves his woman in Wales. He never quite transcends and escapes his homeland of Wales. From the murky sacred Ulla river reminding him of his hometown, Newport, to thinking of his absent grandfather having disappeared to Australia on his journey’s End, nostalgia is always a containing force to Jason, preventing him from moving on and getting the success and desires he so craves from life. Is it money he seeks? He answers and affirmative no and sees it as a means to an end in life’s great journey. He does seek Broadband and Wifi, yet after we lose communications and move out of the realm of technological contact with the outside world, our hero is not lost but finds himself again and can let his hair down properly in the taverna and hostels, enjoying more ancient revelry, wine and brandy, guitar-laden five star meals and the warmth of traditional hospitality so frequented by the tourists of these ancient routes over the Millennia. The language of Jason’s book is often shockingly coarse, but equally it is a direct language and the best philosophy succeeds in its directness. We move with the writer along the pilgrimage and as you read the book you can feel the rain pelting down, the books brevity comforting us as each night draws to a close and we settle down for the night on the auberge mattresses. Blankets or not, Chav Punk Hobbit reveals to us our own conflict in a modern age, where religion matters little and journeys of self are replaced by instant gratifications.I feel jealous, having not directly journeyed the route myself, green as I cannot feel the a priori mental revelations that resound in between the fast-flowing narratives. We must all strike out in this world and go on personal journeys to reveal our deepest thinking and to share with others the pleasures of life. Chav Punk Hobbit is an adventure and to overlook the beauty in the book’s touching simplicity means that you are not grasping the Welsh Hemingway’s poetic raison d’être. It is modern day philosophy in its most rawest essence. ENJOY!
The Dutch author is, most certainly, an admirer of Spain. He writes passionately about his travels across the land, traversing history, culture, and the role of Spain in the modern world. The style is erratic and it takes a while to get used to the author’s jumpiness, but it all seems to weave together nicely. There are deep forays into the world of art and I found the detail on Velasquez most interesting and it is clear that Nooteboom holds a special place in his heart for the work of Zurbaran. There is a constant flicker of images of old rustic villages and a barren landscape as the author makes his undulating way in a series of neverending detours in his quest to reach Santiago de Compostela. I think one of the giveaways in the book is when our Dutch narrator reveals how he almost joined a monastery. He obviously has deep religious feelings and these manifest in his detailed depictions of the art and architecture of the religious buildings which seem to dominate the direction of his meanderings. The history of Spain can be detailed in the construction of these temples. From the deep antiquity of the Romans through to the Visigoths and Arabs and on into the post-reconquista emergence of a unified state under Ferdinand and Isabella and future Habsburg monarchs up to the tragedies of the Civil War and Francoist Spain and its post-Franco entrance into modern Europe. I think that the translator from Dutch has done a wonderful job and the book reads most freely. It has a deep elegant manner, is of the most floral and descriptive prose and it never fails to produce a deep impression on the imagination of the reader. This genuine work of literary art embeds the image of Spain on the mind and one can feel and breathe the deep-seated knowledge and embracing love that the author has for this mysterious land.