The author is exploring the impact of local culture on the artistic output of Narcoculture in the form of literature and art in two specific par excellence Narco cities in Latin America. We are introduced to the Culichis of Culiacán in Mexicos Sinaloa and they can be contrasted with the paisas of Medellín in Colombia. There are unique linguistic characteristics to each area and each city produces distinct styles in terms of its experience of drug war and wide scale narco-trafficking. Culiacán is the capital of El Chapo’s Sinaloa Cartel territory and faced the brunt of the President Calderon Mexican Government War on Drugs. Medellín was home to Pablo Escobar’s capo rule during the 1980s when he declared war on the State and ran a brutal campaign akin to terrorism, brutalising many of the local population in the crossfire. The rough nature of macho Culichi campesinos, raised in the surrounding rural mountains is portrayed in the natural acceptance of violence and the local landscape is scarred with the memories of narco killings and warfare. Post Escobar paisas are dealing with the world where they had to face paramilitary suppression and the middle classes have been integrated with fast money immigrants from the shantytowns, the home of sicaresca (cultural works about sicario hitmen). Authors may use local dialects such as Medellin’s urban poor parlache in order to express their work. Most of the artists and authors have either suffered directly from the violence or know people killed in the wars. The underlying tone for cultural content from both areas is one of ultraviolence that is socially accepted and ingrained in the conscience and collective memory. The popularity of narconovelas is rising globally. The author of this study does some great work in exposing some perhaps lesser known creators and does a relatively in depth analysis of their works, often drawing on external cultural ideas and philosophies in order to justify her analyses. I found this text to be very enlightening and it opened many doors to this area for future critical study. The often dark subjects prove to be very adept at dealing with their work, often under extreme circumstances that fellow artists across the world do not have to endure. The culture of Medellín and Culiacán is opened to the world by Gabriela Polit Dueñas and I highly recommend her work.
David Tomkins has led an interesting life, to say the least. Our swashbuckling protagonist begins his autobiography as a tough safe-cracker, self-trained in explosives. His early adventures lead him to prison life where he swaps tales and picks up skills, leading to further crimes. Moving away from his gangster life, Tomkins utilises his explosive skills to full effect by becoming a mercenary. His military adventures take him across Africa, from Angola to Togo and into Rhodesia. Constantly under suspicion at airports from Special Branch and security services, Tomkins becomes a darling of the Press, a true life mercenary who engages in politics at the highest level. Merging his mercenary work with business interests he becomes an arms dealer, strutting around the world, negotiating some stranger-than-fiction deals with some rather salubrious characters. Eventually his mercenary work comes back tot he fore when he is recruited to fight out in Colombia, first arranging an international special forces brigade to attack the FARC and then later, employed by the Calí drug cartel he is delivered a project to assassinate the head of the rival Medellín cartel, Pablo Escobar. Ultimately both the Colombian adventures do not achieve their mission goals and later end our hero up in US custody where he returns to the prison system, detailing the flaws of the US Justice system and ending the tale whiling out his time in jail before luckily being returned to his wife and family in the UK. The book is well written and is truly compelling. David Tomkins’ life is surely a worthy tale to be told and I can’t think of many more varied real life adventure stories out there.
Jorge Salcedo signed up to the Cali cartel in order to lead a mission to assassinate Pablo Escobar, head of the rival Medellín cartel and, in Jorge’s eyes, a clear and present danger to the people of Colombia. This ex Colombian army professional was a security expert and although the initial mission, with the aid of British mercenaries, was to fail, Jorge embarked on a flourishing career with his Cali cartel bosses, one that would end in betrayal and the fall of the biggest crime syndicate on the planet. Miguel and Gilberto Rodríguez Orejuela were the brothers at the head of the Cali cartel and Jorge would become part of their inner circle, as a trusted almost family member, in charge of Miguel’s day-to-day security and all the cartel business that that entailed. He would witness the trafficking operation that flooded the US market with Cocaine and would bear party to the intense violence that accompanied his boss’ position, gradually becoming an integral part of all operations. From learning how the sicarios operated, to engaging overseas in Nicaragua and the USA, to witnessing assassinations, Jorge would build up an essential insider’s knowledge of the cartel’s overall business. However, as time wore on, and it became clear that there would be no easy exit for him from the cartel, Jorge became disillusioned and ultimately sought to betray his boss. Miguel Rodríguez Orejuela became the most wanted criminal on the planet and when Jorge fell into the arms of the DEA, his knowledge of daily operations assisted the US and Colombian authorities in tracking down and successfully capturing the head of the syndicate. Jorge and his family fled into protective custody and the Cali cartel was permanently weakened by the ‘chopping off of the head’. This book, well researched clandestinely for over a decade, tells a bloodthirsty true tale of top level narco-trafficking, political corruption, and gang warfare. It is a true page-turner that will engage and grip you from start to finish.
This is an enthralling, well-researched book, that reveals many unknown new facts about the global cocaine industry. The book opens with a chapter focussing on the USA, the biggest market for the Cocaine industry, where 66% of Cocaine users exist. We then enter into the producing and transit phase of the drug and examine Colombia, Mexico and the Caribbean in detail. Colombia has the infamous Medellín and Cali cartels, much responsible for the initial production of Cocaine. The role of the FARC, AUC and the Colombian Civil War is documented and the political difficulties with America’s Plan Colombia and the extreme bribery involved in Colombian political life. In Mexico, we see how the various cartels such as Sinaloa, Juárez, Gulf and Tijuana have gone to war, recruiting the services of such paramilitaries as Los Zetas. The Caribbean covers Jamaica in detail and also Cuba, Haiti and the various tax haven islands. In Jamaica we see how politics have heavily influenced the gang culture and the rise of the Shower Posse is documented. In all of the Western producer country sphere, the USA and its policies is never far from the forefront. The ‘War on Drugs’ in force from many successive administrations at the White House, often focuses on producer and transit countries and is totally supported by draconian United Nations international legislation. The European market, in particular the United Kingdom is the second largest market for Cocaine and some countries here have introduced decriminalisation. In places such as Holland and Portugal, drug use is not penalised. The author explores how users are affected by the drug and explores addiction, in particular the problems of crack cocaine. In the final part of the book we look at possible legalisation solutions although, despite Feiling’s enthusiasm for this to happen, I fear it will be many generations before this becomes politically possible. Perhaps with potential cannabis decriminalisation and legalisation on the agenda, it will open up the doors for other narcotics to follow suit? I enjoyed the book and it really does go into detail on what is an interesting subject and a truly global industry.