The author is exploring the impact of local culture on the artistic output of Narcoculture in the form of literature and art in two specific par excellence Narco cities in Latin America. We are introduced to the Culichis of Culiacán in Mexicos Sinaloa and they can be contrasted with the paisas of Medellín in Colombia. There are unique linguistic characteristics to each area and each city produces distinct styles in terms of its experience of drug war and wide scale narco-trafficking. Culiacán is the capital of El Chapo’s Sinaloa Cartel territory and faced the brunt of the President Calderon Mexican Government War on Drugs. Medellín was home to Pablo Escobar’s capo rule during the 1980s when he declared war on the State and ran a brutal campaign akin to terrorism, brutalising many of the local population in the crossfire. The rough nature of macho Culichi campesinos, raised in the surrounding rural mountains is portrayed in the natural acceptance of violence and the local landscape is scarred with the memories of narco killings and warfare. Post Escobar paisas are dealing with the world where they had to face paramilitary suppression and the middle classes have been integrated with fast money immigrants from the shantytowns, the home of sicaresca (cultural works about sicario hitmen). Authors may use local dialects such as Medellin’s urban poor parlache in order to express their work. Most of the artists and authors have either suffered directly from the violence or know people killed in the wars. The underlying tone for cultural content from both areas is one of ultraviolence that is socially accepted and ingrained in the conscience and collective memory. The popularity of narconovelas is rising globally. The author of this study does some great work in exposing some perhaps lesser known creators and does a relatively in depth analysis of their works, often drawing on external cultural ideas and philosophies in order to justify her analyses. I found this text to be very enlightening and it opened many doors to this area for future critical study. The often dark subjects prove to be very adept at dealing with their work, often under extreme circumstances that fellow artists across the world do not have to endure. The culture of Medellín and Culiacán is opened to the world by Gabriela Polit Dueñas and I highly recommend her work.
Whilst planning to do a university translation dissertation on some aspect of narcoculture I was drawn to this work (in English – also simultaneously released bilingually with a Spanish version) by American author and folk musician, Elijah Wald. Having been introduced and hooked on the sounds of Los Tigres Del Norte for years, the Narcocorrido is a music form that particularly interests me. The Spanish word ‘Correr’ = to run, gives way to the Corrido form of music, a Mexican musical ballad, originally historically done as the spoken word, but more recently with Mexican folk music of accordions, guitars and harps added. It is a form of Norteño / Ranchera / Mariachi music, very spicy in rhythm, with neatly rhyming lyrics, telling a popular story. A lively, popular music artform, where masculinity and hyper-masculinity can flourish. The traditional Corrido has been superseded by the Narcocorrido, which tells the stories of Mexican and Latin American drug lords and their conquests – their crossborder trafficking, their grisly assassinations, their lovelife, their organisations. The Corrido is an alternative form of news and corridistas may cover any political event, with some controversial writers documenting political scandals and guerrilla uprisings. Elijah Wald takes us on an interesting personal journey as he hitchhikes and buses across every conceivable region in Mexico and also dips into the Corrido communities of North America. We meet the stars of the genre, the well known celebrity figures, from Los Tigres Del Norte themselves and their most famous writers such as Jefe del Jefes, Teodoro Bello. The issues of assassinated star Chalino Sánchez were particularly interesting and displayed the true dangerous nature of these musicians and their controversial cultural work. We head from the Sinaloan narcocorrido heartland, up to Texas and onto rural Michoacan. Not only do we learn more of the drug trafficking inspirations and the gruesome Mexican drug war, but also we learn of other areas of Mexican culture, history and politics. Wald is a man of the people and the rural campesinos are never far from his heart. He is equally at home listening to corridista buskers on the bus aswell as being able to snort cocaine whilst partying with the stars. For me, the translations done by the author about the often unknown corridos are a true revelation and, being an apprentice translator, I particularly found this aspect of the book exciting. The book is a real adventure and I’d encourage any travel lover to get involved in the quint narrations and journeying. I think that this book will long be regarded as the definitive text on Narcocorridos and I look forward to reading more work by Elijah Wald. It has left me a large legacy of topics and material to research and I shall be busy well into the future covering issues raised by my reading of this most excellent, well written text.
This is an enthralling, well-researched book, that reveals many unknown new facts about the global cocaine industry. The book opens with a chapter focussing on the USA, the biggest market for the Cocaine industry, where 66% of Cocaine users exist. We then enter into the producing and transit phase of the drug and examine Colombia, Mexico and the Caribbean in detail. Colombia has the infamous Medellín and Cali cartels, much responsible for the initial production of Cocaine. The role of the FARC, AUC and the Colombian Civil War is documented and the political difficulties with America’s Plan Colombia and the extreme bribery involved in Colombian political life. In Mexico, we see how the various cartels such as Sinaloa, Juárez, Gulf and Tijuana have gone to war, recruiting the services of such paramilitaries as Los Zetas. The Caribbean covers Jamaica in detail and also Cuba, Haiti and the various tax haven islands. In Jamaica we see how politics have heavily influenced the gang culture and the rise of the Shower Posse is documented. In all of the Western producer country sphere, the USA and its policies is never far from the forefront. The ‘War on Drugs’ in force from many successive administrations at the White House, often focuses on producer and transit countries and is totally supported by draconian United Nations international legislation. The European market, in particular the United Kingdom is the second largest market for Cocaine and some countries here have introduced decriminalisation. In places such as Holland and Portugal, drug use is not penalised. The author explores how users are affected by the drug and explores addiction, in particular the problems of crack cocaine. In the final part of the book we look at possible legalisation solutions although, despite Feiling’s enthusiasm for this to happen, I fear it will be many generations before this becomes politically possible. Perhaps with potential cannabis decriminalisation and legalisation on the agenda, it will open up the doors for other narcotics to follow suit? I enjoyed the book and it really does go into detail on what is an interesting subject and a truly global industry.
This fascinating subject is explored by the author, Jerry Langton, in a fresh and vibrant manner. He makes the often bloody stories flow nicely into each other. What is for sure is that the Mexican drug war is a nasty business and page after page of horrifying bloodthirstiness attends to this. We read of the different cartels from Sinaloa across Mexico. Ciudad Juarez, the murder capital of the world is a common area for discussion. The author always has his mind on the export role of the cartels and how their actions are affecting populations further North in the USA and Canada. If anything, it is difficult to weave together a fabric of the tale due to the sheer mass of brutalities that have occurred. More people are killed each year in Mexico due to the cartel warfare than in foreign war zones such as Iraq and Afghanistan. The book is not the first I have studied on this topic in Mexico and I found it very well-researched and full of details, some of which were unknown to me previously. It is certainly worth a read if the topic of Mexican cartels interests you.
This is a fast-moving story of the rise of Mexico’s most feared and influential drug lord, El Chapo. The Sinaloa cartel occupies the number one position in terms of prestige of drug organisations and Guzman Loera has hit the Forbes list of the wealthiest and most powerful men in the world. After a daring prison break he hides out from Mexican and US authorities as well as rival gangs in the hills of his native Mexico. Beith is a journalist who attempts to piece together the myths surrounding this elusive character and he weaves a very readable and exciting story together which combines romance, bloodthirsty homicide, big business administration, corruption and the life of the modern day Mexican Robin Hood and his associates. The situation in Mexico is extreme and unbelievable in may ways. It has certainly transcended all the boundaries first witnessed during the rise of the Colombian cartels decades ago. This book is perhaps lacking in truth in some ways as the evidence is so difficult to establish, yet it is well-written and gives the reader a good insight into one of the greatest plagues of the modern world.